Sketchbook Work.
![]() I am passionate about outdoor sketching or plein air as some like to call it. I feel it is crucial to my development and never fails to re charge my creative batteries. There is nothing better than to be on site with my fellow artists and friends recording from nature itself. I also take my camera along to capture scenes that I dont have time to sketch as I know the photo reference will come in very useful over the winter months when it is too cold or wet and I am forced to work in my studio.
The painting and sketches I produce when on location are often spontaneous and fresh. Simplification is my aim, only recording the essential elements and eliminating unwanted clutter to ensure a pleasing well-balanced composition whatever the subject. These sketches are invaluable to me, as I will produce most of my finished painting from them. I now have many sketchbooks that are full of ideas and the starting point for future paintings. I take great joy in looking through my sketchbooks, as they are a lovely reminder of the day. For me they are better than any photograph I could take. When sketching my preferred methods are:
I choose the medium I use carefully, If I dont have long or the weather looks like it may change for the worse I will use pencil or a Graphitint watercolour pencil as I can record details quickly using either and will take a photograph as a extra record.
Yorkshire Cottage. Pencil.
Staithes Pencil Sketch
Pembrokshire. Watercolour Sketch
Kettlewell Church. Graphitint Pencil.
Boat study. Graphitint Pencil. Staithes
Washing day at Top Lock. Burscough. Notice the rain drops! Watercolour
Solve. Raining again!! Watercolour
Charcoal/Felt Pen. Penmon Priory Anglesey. Downham. Watercolour. Welsh Cottages. Watercolour. I got caught in the rain again, can you tell?
Pembrokshire. Graphitint sketch.
Downham. Graphitint sketch.
|
